friday roundup: all of these faces, Spillway 20, and “Traveler’s Field”

[background music: Simon & Garfunkel’s “Mrs. Robinson,” lyrics replaced with “Where did you go social contract?]

Friday again. Hello, Reader. This morning I upheld my end of the social contract by tracking down the grownup on my street who yelled the F-bomb and other choice words at my boys for riding their bikes on the sidewalk. Very politely, I reminded this gentleman (ahem) of his responsibilities to the children in the neighborhood. Namely, that a friendly reminder, and talking to me or my husband directly if follow up is needed, is really the way to go, rather than yelling and swearing at a ten year old. #justsayin. Sometimes I feel like our society has become too mobile and nobody knows their neighbors anymore, and so we sometimes forget our responsibilities to one another. But yes, that is me: the activist neighbor who will gently speak to your child if s/he is doing something unsafe or disrespectful, and who will remind you of good manners, Mr. F-bomb. Sheesh!

Now that that’s out of the way, we can get down to roundup business:

all of these faces  I’m really excited to share with you the new website of my former mentor and teacher, Deborah Keenan. When we lived in St. Paul, I studied with Deborah at the Loft Literary Center, and in her private Monday morning group. Those years learning from Deborah were so formative in my growth as poet. From her, I learned how to dissect a poem to see why and how it was working, and to write out of what I was reading. She took my work seriously, and helped me to see that it was time to start believing in my work, sending it out, claiming the title Poet. She’s also the person from whom I learned to make Handouts (which, er, reminds me — I’m a little behind on The Handout schedule, but don’t worry, it’s on my list).

As her website says, Deborah is poet, artist, and teacher. If you poke around a bit, you’ll see her amazing collage work, and run into some quintessential Deborah writing prompts (click on “writing inspiration”), more of which will be added to the site over time.

I hope you enjoy it. And if you’re wondering about my title for this section (and as she writes on her website) the phrase “all of these faces” is what encouraged Deborah to begin her collage work years ago (Hmmmm, what poem would you write under the title “All of These Faces”?).

Spillway 20  So, I’m going to be reading up in Marin this weekend, for Spillway 20 where my poem, “Making Dinner with Joan of Arc” appears (I wrote about drafting this poem here, and by the way, I wasted quite a lot of time to be able to draft it!) Each reader will read her own poem, and the poem of one other contributor. I’m excited to read Kathleen Kirk’s poem “Cassandra Can’t Believe the Headlines” (man, I know how Cassandra feels!). I’m looking forward to the reading, not without some nervousness. I’m walking around my house repeating this mantra: “Practice, wear your Haystack, and have a wee small glass of wine.” 🙂 Wish me luck.

“Traveler’s Field” A while back, I wrote a bit about poetic citizenship, and today’s poem comes from a stellar example of poetic citizenship, the Central Arkansas Broadside Project curated by the indefatigable Sandy Longhorn. Hop over and read a little bit about the project. One thing I love about it, besides the fact that it moves poetry into public space and consciousness, is that each poet whose broadside is featured recommends other poets whose work they enjoy. If I had had even one of these broadsides in my hands when I was 16 years old…!!! So, Sandy, three cheers for you and the CABP. And Reader, for you, here is “Traveler’s Field” by Hope Coulter.

Happy Friday, happy weekend, and thanks for reading. And now, for me it’s back to, “Practice, wear your Haystack, and have a wee small glass of wine.””Practice, wear your Haystack, and have a wee small glass of wine.””Practice, wear your Haystack, and have a wee small glass of wine.””Practice, wear your Haystack, and have a wee small glass of wine.”……….

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